Emanuela is a composer and performer who is passionate about creating music that is both appealing and intelligently crafted. She enjoyed singing as a youngster and continued to express herself freely throughout her childhood. At one time, she studied classical music and jazz, but she was more interested in composing pop songs with an electronic twist. Her diversified experience enables her to create music with a distinct sound, not just by writing captivating melodies but also by coming up with innovative arrangement ideas that set her tracks apart.
She is a very creative musician who is not afraid to stand out and speak out, not just with her words but also with the edgy, daring aspect she gives to her music. Her recent album, “Made In Heaven,” contains 10 eclectic songs. The title track, “Made In Heaven,” soon transitions from an angelic, ethereal scene to a chaotic, glitchy electronic beat with occasional synth blips evocative of vintage games and old-school samplers.
This song exemplifies what it’s like to create fantastic electronic pop music with a current twist and an experimental edge that never detracts from the pure attraction of a solid pop tune. The vocals are well placed on top of the mix, highlighting Emanuela’s personality and forthright attitude while still being sensual, alluring, and melodic. The chorus melody is genuinely surprising, with a dizzying rhythm and some out-of-the-box creative noises.
The album’s third track is a collaboration with Gido, who joins this crazy trip on the song “Switch.” The album continues with “Sick,” a genuine banger with some noise-inspired synth elements and mind-boggling breakbeat compositions that make your speakers seem like they’re going to collapse from the grinding weight of the bass.
“YOUNG BOI” may be the record’s catchiest tune, with an industrial beat reminiscent of some of Bjork or Grimes’ more experimental moments, and serves as the ideal introduction to the album’s second half. “Pet Me” has a more immersive feel, and the voices are even more prominent, depending not just on harmonizers and layering to improve the vocal structure, but also on some chopped vocal samples to contribute to the atmosphere of the song.
“Suck Dick For Fame” continues on the glitchy electronic road, giving a genuine melting pot of sounds and one of the record’s most unabashed tunes.
This release is especially notable for the high level of production quality. The mixes are well-balanced and detail-oriented, resulting in a vibrant, edgy, and sharp sound. In other words, there are numerous subtle subtleties in Emanuela’s songs that contribute to the album’s depth when taken as a whole. The frequency range of the productions is also highly balanced, with a compact yet deep low-end performing wonders and a smooth top end that lends clarity to the music. The artist, who has been working with producer Alon Renser since 2018, understands precisely what she wants to portray via her music, and the two can come up with some original concepts and skilled frameworks that maximise the emotional potential of their releases.
This album seems like a wonderful depiction of Emanuela as an artist, with her industrial yet catchy, outrageous and sexual attitude. This is the sort of album that will surprise you for its sonic variety, and will have you on the edge of your seat owing to its catchy yet unusual arrangement. Emanuela is one of those musicians who raises the standard and pushes the envelope with their sound, as seen by this new adventurous album.
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