Gregory Dillon returns, not in the glitzy landscapes of L.A., but in the quiet Connecticut suburbs. His journey from pop-punk narratives, as heard in “Hot Scars, Pretty Lies,” to a new era of darkcore electropop euphoria is evident in his latest self-produced single, “DRIVE.”
“DRIVE” is a sonic experience that combines elements of Rihanna’s “S&M” with the thrilling rush you’d associate with a high-end Porsche commercial. Buckle up for a high-velocity anthem that may just push you over the speed limit and into the realm of a $300 speeding ticket. The music video accompanying the track takes us on a cinematic ride with Dillon on a motorcycle, where he navigates the juxtaposition of yearning for the big city and the resistance to suburban life.
In Dillon’s own words, “It’s funny—I feel like when I was chasing big city dreams, I had this deep nostalgia for youth and suburban life throughout my music. Now that I’m back in suburbia, my greatest muse is the nostalgia for wild 4 am parties in Bushwick and the self-destructive patterns I’ve now grown out of. ‘Drive’ is indicative of that both lyrically and sonically. This era is heavily inspired by my love for Donnie Darko, and the darkness one can get lost in while dealing with the quietness of small town living.“
The polished and idealized image that marked his earlier works is replaced by a rebellious spirit. This new phase in Dillon’s artistic journey was catalyzed by a life-altering experience, which led him to revisit the suburban landscape he initially left behind. Now his music resonates with a complex sense of euphoric resilience. Gregory’s music transcends genres, fusing elements of electropop, new wave, and post-punk into a captivating soundscape.
With “Drive,” Gregory takes listeners on a musical journey that promises a unique experience. With this latest instalment, we embark on an exploration of his electrifying darkcore electropop, a testament to his evolving artistry and unwavering creative spirit.
So f-ing hot 🔥